A Father's Day Visit

Please welcome Eric, father of lost twins Zoey and Gus and husband of M., to our Glow company of writers. We've spent the last several weeks poring through submissions, and we're so grateful for all the new voices and friends we've met in the process. Eric and the other new writers, both full-time and occasional, bring new stories, reflections, and energy to our community, and we're grateful for it.

This is Eric's first blog post ever, anywhere -- so be gentle. Or don't. Either way, feel free to call him what we do: Blogless Eric. It lends an air of mystery. He's like a pirate. He might have an eyepatch. I can't be sure. But we're glad he's with us.

~ Kate

photo by digitalalan

For Father’s Day, there are two things M. has decided she wants to do.  She wants to buy me dinner, and she wants to visit Gus and Zoey. 

Zoey and Gus were born on the first full day of spring in 2009.  They died that day, too.  A week earlier, M.’s pregnancy suffered “a sudden, severe complication,” as I called it in message after message sent from our hospital room.  We buried them in a section of the cemetery near my friend, Harold.  He had been like a grandfather to me, and his widow said she would like to believe he would be a good grandfather to them.  These days, when I picture his funeral, I have to adjust the image because the camera is facing the wrong way.  It is not trained on his grave, but on the empty spot up the hill that will be my son’s and my daughter’s—but not for another three years.  That’s memory for you, I suppose.

Getting to the cemetery takes about 35 minutes and four freeways: the 90 to the 405 to the 101 to the 134.  We exit at Forest Lawn Drive—named, I presume, after the cemetery of which our cemetery, Mount Sinai, used to be a part.  Since burying Gus and Zoey, we have come to the cemetery many times.  Just a few visits ago, M. suggested that by getting off one exit sooner (Buena Vista Street), we would actually get to the cemetery faster.  And M. is often right about these things.  Still, I have never gotten off at that exit.  Because this is how we go to the cemetery. 

Today, the drive from our house to the exit ramp takes its 35 minutes, but working our way down the exit ramp takes another fifteen.  Cars are backed up from the ramp onto the freeway.  “What the hell’s going on?” I mutter. 

“It’s Father’s Day.  Other people are probably thinking the same thing we are,” M. says. 

The ‘80s station plays some Billy Joel.  Through the staccato-heartbeat rhythm of the intro, and even through “Whatsamatter with the clothes I’m wear-in,’” I don’t realize the song is “It’s Still Rock and Roll to Me.”   For another few beats, I still think it’s “Only the Good Die Young.”

Then I realize something else: M. meant children are visiting the graves of their fathers.  I thought she meant fathers are visiting the graves of their sons and daughters.  Because isn’t that what fathers do on Father’s Day?

At Zoey and Gus’s graves, I do not say anything.  I do not pray.  I do not talk to them.  I do not tell them that we will always be their parents but that we also want to be parents to children in this world.  I had planned on saying this, on explaining ourselves, as M. is now very pregnant with their brother and sister and it might be awhile before our next visit.  But I have told Gus and Zoey this already—from this same spot.  On their due date, in fact, when M. and I came to the cemetery straight from our first consultation with the perinatologist about trying again. 

Instead, I sit down at Zoey’s grave, with M. sitting at Gus’s, and we clean.  I wipe the dirt off Zoey’s gravestone.  I scrub the grit out of the engraved letters of her name.  It is Father’s Day, and this is how I talk to my children: in solvent and cotton swabs.

After our visit and throughout the day, I talk with some of the fathers in my life.  I wish them a happy Father’s Day.  Few, if any, wish me one.  I’m sure it’s innocuous.  I’m sure they don’t see the greeting as a badge they are withholding from me.  I do, but at the same time, I understand.  After all, my weeks are not structured around play dates and check ups.  My days are not punctuated by fevers and falls and scraped elbows and bruised feelings.  I do not live with worry for Gus and Zoey’s futures or under the shadow of losing them a second time.  And unlike some of the bereaved parents I have come to know, I do not have other, living children for whom I had to be brave today.  And the day before that.  And the one before that…

On any random day—no, on every single day—I don’t do the work.  So should I really be seen as part of the club? 

Those friends who are where M. and I are (the enlisted, as opposed to the civilians) say so.  So when I email them about this facet of Father’s Day, it brings them to a boil even though I can only manage a simmer. 

But our friends may be right.  What fathering I can give, that club cannot.   Other parents clean their children’s rooms and wounds, not their graves.  Other parents have children whom they trumpet, not ones to whom every reference must be measured: firm enough to give their memory substance and to add to its length, airy enough to signal that it’s alright, that their presence in our lives is an everyday thing—just like that of everyone else’s children.  That can be the trickiest part.  While other parents manage their children’s experiences of the world (or want to, or try to, or try to when they shouldn’t), we have to manage the world’s experience of our children. 

So we mention their names.  We put pinwheels in the earth where they are buried.  We protect their place in the world.   We do what fathers do.  We give them what home we can.

 

How have you been recognized (or not) on Father’s Day or Mother’s Day?  How would you want to be?  What rituals do you have to mark the day?

not the enemy

Tash's post reminded me of how easy it is to get caught up in the bullshit of everyday life and how difficult it is for couples in our situations to communicate well.  Taxes, taxing situations, too many to-dos and no desire to do them can turn a simple afternoon sour.  Suddenly we're sniping and sneering.

Slamming doors.  Seething rage.  Eventually I realize that I'm not mad at her at all.  Well, maybe a little, but the quiver and clench, they are not her doing.

That tension and anger, it's a force that fills me when I realize how impotent I am to change the past I hate, or alter the immovable fact I cannot stand.

All I can control is my perspective and my response.

 

I attempt to embrace calmness despite adrenaline and energy.  Over and over, every day of my life now, it is an exercise in calmness.  There are too many triggers that click and spark the gunpowder in my soul.  There are too many holes that should be filled with moments with my son.  I fall into those voids suddenly so I've tried to learn how to fly.

Most of the time I fall.

That's the pit in my stomach.  It is the sensation of endlessly falling into another day that is filled with the absence of what I want most.

I fill those voids with anything I can think of and I try to stay calm even when I'm falling and all I can do is yell for help.  Luckily Lu is strong enough to pull me back when I start to shout because she knows all I'm really doing is looking for Silas.  Even when I'm yelling at her.

Inside I'm panicking because I can't find him and then I remember that I have to try and stay calm.  Lu helps me like I help her when it's the other way around because quietly, silently, and straight out loud shouting we both know that Death is the enemy.

Worst of all:  it is nothing we can fight or do anything about.  This immovable fact.  This hole that is a wall that is our son that is impossible.

That impenetrable barrier silences me when I get too pissed off about the daily bullshit that's easy to fight about.  We'll argue about some dumb thing, some mis-communication and then that spirals deeper, past our petty disagreement to the true source of our sadness and anger.

Suddenly I see that we are sharing that space and my anger is gone.  I'm not mad at her.  She's my rock and my partner.  Lu is my biggest fan and best friend.  Whatever fight we're having it has nothing to do with what is really going on.

The problem is that what is really going on is nothing we can fight, not even together.  There is us, here.  There is Silas beyond reach.  And there is his death between us all.

I fight against that every day, even without realizing it.  By getting up and going out.  By facing the day and whatever it brings.  By attempting to excel at whatever is before me, in each action and step I am battling the enemy that could all too easily consume me.  The Void, his absence.  Death.  I feel it in my stomach, in my heart, in my skin.  But I brush it off, again and again, determined to live bright and true.

Still, sometimes I have to shout.  I need to shout to get it out of my throat and still it sticks there, his death lodged in my soul like a vein coal.  I trace it like a labyrinth, round and round, all the way down, calmer by the moment as I see that it spells his name and that I will never be without him, even though I will always be without him.

~~~~~~~~~~~~~~~~

What calms you?  Are you able to pull back from the anger and sadness of your loss when you turn that on the people around you?  What do you do to fight against Death, against the absence of your lost child?

Vices

They squeeze me.  Thousands of them.  Millions.  Billions.  Tiny, invisible, impossible little clamps on every molecule of my body compress my form making me dense and heavy.

The twists are powered by hopes halfway and memories the other.  The leverage of those screws cannot be denied. They press me into myself and I fall into bed leaden.

How often do you feel like the only person in the World that feels like you do?

How often do you cry?

My dreams are a mystery and a refuge.  Sometimes I wake up thinking I was just where I should be, not here.  Not this.  Not again.  Nonetheless, yes.

No, not none.  Me-the-less.  This World-the-less without Silas. I'm still not sure how it is possible, that I can still be missing him.  That he needs to be missed. That cognitive dissonance disorients me every day.  It fucks with my soul, it complicates friendships, it makes family distant and uncertain.

Silas didn't do that to me, but his absence has.  And there is absolutely no way to miss him more, but I've been missing him for so long now that it feels like more.

Deeper and deeper this longing has wormed its way into my being.  Each day without him and each day without another child compresses me, packs me tighter into myself.  This pressure of reproduction is devastating.  Staying positive and letting go and having faith in love and science and sex all sounds so easy and right, but all of that is almost impossible to contain in these tightly packed cells of mine.  I have room for so little beyond survival of my psyche sometimes, but sometimes my dreams take me deeper.

In one dream I am driving and it is pitch black.  Black so black the light of my headlights that I know are on are swallowed only inches from the paired glass at the front my speeding car.  I'm certain the wipers are working, but I can't see them because the windshield is obsidian except for the brief flecks of white that must be snow.

Downhill I drive, the car faster than I want it to be but I have places I need to go down the road, just beyond this hellish storm.

My hands are white and bloodless on the steering wheel.  A deathgrip.  I'm breathing only through my nose.

And then it happens as I knew it would.  The car just goes.  Out from under me it goes.  Wheels suddenly spinning, loose and free, sliding frictionless through the snow-flecked darkness I feel the whole machine lose purpose and coherence around me.

The steering wheel is jellied spaghetti.  There's no turning back because I'm pretty sure I'm airborne, spinning and spiraling into disaster and I remember something I heard from my brother I think: That if you're in a car accident that the reason the fucking drunks are always okay is because they are so trashed they don't tense up and so they don't get as fucked up when physics take over.  All that in an instant I remember and so I go loose.  I relax as the car spins through the air, through the endless darkness, through the blizzarding, blowing snow.

And then it's over.  The car catches back onto the road.  Not airborne.  Not crashed.  Torque and control return in an instant and as I clutch and slow I see the destination up ahead.  It's a road-house of some kind.  A way station and restaurant and hotel maybe out in the middle of no where, but it's where I was going.

I get out of the car and it's really snowing now.  I find some people that live or work or play there and I asked them about Lu and everyone I was supposed to meet.

Surprised and dismissive they tell me I'm wrong.  Not the place I'm looking for.  Not where everyone else is.  Not my destination at all.

Up that way, they tell me, and point back up the road I almost died on just now.  An hour, maybe two, someone says and I feel the clamps of inevitability twist another turn on every cell of my body.  I'm sputtering, distraught.

You can't stay here, man, he says to me.  You gotta go back up that way, back out of the storm up the road.  Back exactly the way you came.  I want to tell them that I can't.  That I almost died there.  That the path I just came from is impossible for me to traverse again.  I open my mouth to speak, but they're gone, there's no one for me to talk to, no one to argue this impossibility into nonexistence.

So I do what I must, as always.  The door shuts me into the car like the vices I feel in my skin.  My mind tightens to focus on the road ahead.  My hands clamp the wheel, I accelerate into the darkness, uphill and snowy.

Lu is that way, so I've got to go.  No point staying where I'm not supposed to be.  No point in being afraid of death.  After all, when I die someday far along down this dark, snowy road, maybe Silas will be there.  And if not, maybe someone will know which way he went.  And wherever that is, anywhere in the many brutal & beautiful Universes of this World, someday I'll find him no matter what the weather, no matter how long I must be without him.

Lu will be with me I'm sure, but I've got to go get her first.

~~~~~~~~~~~~~~~~~~~

What are your dreams?  Where are you going?  How do you describe the pressure of your loss and grief?

reflections on baby photos: three voices

1 :::

Several weeks after Sadie died my sister-in-law had the first picture we took of her painted on canvas for us. It is a beautiful shot taken as I held her for the first time, all chubby cheeks and serene newness.

It has been a focal point sitting on our bedroom mantle ever since. Most mornings I send a quick I love you, Munchie towards it before heading off to work. There have been times that I’ve sat on my bed in front of it, sobbing under the weight of how much I miss her.

My brother took my second favorite photo. In it Sadie is sleeping in her father’s arms. The pose of her tiny little fist curled up under her chin like a miniature, tired old man makes me smile. I’d probably have a wall-sized mural of it instead if I didn’t think it’d have every guest running for the hills, calling me a whacko over their shoulder as they went.

The honest truth is that I struggle between that sentiment and a lingering guilt over not having enough of them up.

The strength of our love for her merits having her image splayed across every surface we own. So why the hell should I worry about whether or not it makes our dinner guests fidget in their seats?

We probably took several hundred photos of Sadie over the course of her six weeks with us. At any point I can open those files and look back for as long or as little that I care to. They allow me to remember every curve of her perfect face. The video clips remind me of how hilarious we found it when she grunted her way through a poop. They allow me to grieve as and when I choose.

These images we keep tell our heartbreaking truth: that along with our memories, they are all we have left.

~ Jen

 

2 :::

Our only pictures of Silas are from when he was still in Lu's womb, and after he had passed away. His presence was too brief and traumatic to capture while he was alive

It is almost impossible for me to look at photos of Lu while pregnant, but I need to see his beautiful and serene face in the collage Lu created in the months after he left us. In it he is newborn and perfect, a gorgeous little kid. The photo was taken by the hospital staff and given to us in a box along with imprints of his hands and feet in clay and in ink, a lock of his hair, the tiny hat he wore at the hospital and several other beautiful photographs of him.

There is absolutely no question that this collage or a photograph of Silas will always be displayed in our house. He was our child and although we did not get to have him long, the physical presence of his life and existence is vitally important to us. Frankly, I've never for a moment considered any other arrangement, or even if having his photo displayed would make guests feel uncomfortable.

Just the idea that someone would want for us to do this differently to make them feel better makes me extremely upset.

It is our choice to remember our son openly and honestly in our home. If any friend or family had any other opinion they would be well served to keep that entirely to themselves. It is up to them to deal with their own inability to face reality and not at all my problem.

In the framed collage Lu created is his photo, the ink imprints of his hands and feet, a haiku I wrote about missing him, a photograph of his name written in the sand on the beach at sunset, photographs of the tattoos Lu and I both have in his honor, and a small print of the constellation Orion, his middle name. It is not nearly enough or anywhere what we deserve but it is what we have, and somehow, it will have to do.

~ Chris

 

3 :::

What I think about displaying pictures of dead babies in one's house is that no-one but the parents gets to have an opinion on this. A picture, bazzillion pictures, where, how-- none of this is up for discussion. Anyone who doesn't like what the parents do is welcome, and is hereby courteously invited, to shut the fuck up. People's homes, coincidentally much like their grief, are theirs. Both are about them and their family, not about anyone else's idea of what's done or what's proper. Even when an anyone else in question is a close friend or relative. Particularly when it's a close friend or relative.

You'd think that with attitude like that I'd have at least a couple pictures of A up around here. But we have none. Back then my hospital didn't offer contact information for NILMDTS photographers. Even if they did, I don't think at the time we would've been comfortable letting a stranger into that room. Scratch that-- I know I wasn't. It bugs me now, because now I would be. And because what we ended up with are the few pictures my sister took with my blackberry. The quality isn't great. It's not awful either, but it's not great.

I've edited some of the pictures we have, cropped, played with effects. Over the years, I posted two of these edited photographs on my blog. I have all of them, original set and my edits, on my laptop. I can look whenever I want to.

There were stretches of time when I looked every day, sometimes several times a day. But there have also been stretches of months when I haven't looked at all. Not because I "moved on" or any such platitude. I think of A every day, I miss him all the time. But I don't need to see the pictures all the time.

All of these things are true, but none of them are the real reason we don't have the pictures up. The real reason is that parents is plural. There's two of us in this, and JD didn't want the images displayed. He doesn't usually look at them either. He doesn't need to. Not to remember, not to love, not to grieve, and not to miss. I think, truthfully, that in the photographs JD sees too much of his own pain, that the pain he sees clouds the beautiful baby whose pictures those are. I think he sees more clearly in his mind's eye.

And so we don't have any photographs up. What we do have are the two framed drawings of Monkey's, family portraits both. One she started while A was still alive, all of us lined up in front of our house, A with a hypothetical future dog. She had done the outlines in pencil and had started on coloring it in with markers before A died. In the days following our return from the hospital, cleaning her room with her, we stumbled upon the drawing. I asked if I could have it, and she said no-- she would finish it and we would hang it on the wall, for everyone. Finishing the drawing was hard on her. It took her weeks, and in the end some of the coloring is sloppy, too sloppy for what she was normally doing back then, and in darker colors than her usual palette.

The second is the portrait she did in art class last year. It's in paint and is fairly impressive artistically, for a seven year old. As in, for example, people have recognizable features. There are two small boys in that one. Nearly identical, with one slightly larger than the other. She proclaimed the larger one to be A, and the smaller (duh!) the Cub. The boys in the painting are holding hands.

So this is the idiosyncratic place our little family finds itself on the pictures thing.  But like much else in this whole babylost experience, it is not etched in stone. A's actual photograph might still end up on a wall in our home. For a while now I have been thinking about creating a collage type arrangement in one frame, floating or otherwise, with pictures of all three of my kids. I think I want to have something of all of them together, since, you know, I can't have all of them together. I am not sure when I'd do it, or how, yet. I was thinking of using the picture of A's hand in mine, but I am not sure what pictures of Monkey and the Cub to use with that. So it might end up being a picture where you can see A's beautiful little face, or maybe both. See how figured out I am?

And if I do manage to make something that I like, I don't know where I would want to put it. In my office, where most wouldn't see it, or somewhere more conspicuous? It depends. Depends on what it comes out looking like-- too tender and intimate to share with just anyone or something I am ok with people seeing? And depends, of course, on how JD will feel about it. I guess, again like so much in this strange world of ours, we will figure it out when (if) we get there.

~ Julia

 

How do you feel about displaying photos of your baby in your home or in other personal spaces? If you've chosen to feature them in your life, how have your photos been met by loved ones and friends? What do photographs of your child mean to you?

the land on which i stand

I am an Incognito Disaster.
You can't see the mayhem only millimeters out, but it's there, inside.

You can't see my toes curl as I cringe when I re-live the day Silas was born.
Cars swerve around my thoughts as I drive.

You can't hear the breath
the deep, deep breath
when you trundle in, laden with newborn and bags and Hope.

The Hope smells like crushed pine needles and jasmine covered in maple syrup, honey and soy.  It makes me sick to my soul because I can't swallow that anymore.

Today:
Pregnant lady holding the door for a n00b mom with n00born and they passed a look that gutted my heart.
From one:  "Oh how cute! (you don't know what you're in for.)"
The other, laden within: "I can't wait to be on that side of this  (bloated mess.)"

Wife sick of her pregnancy, Mother sick of her kids.  Father and To-Be on either side unaware of their peril.

From nowhere in their realm, from no vantage of their many views could they see me frozen nearby.  They cannot see the land on which I stand.  They cannot taste the ashes of my dreams despite their sudden sneeze.  To them, my flesh does not sag with endless despair.

I gasped and turned, gutted, I let them pass and flashed into everything each of them promised.
I burned with how bad everything can go, in an instant.
In a day.
In a night of pain and labor.
In a life or three or many, many more.
They should never know any of this and I hate how much we've had to learn.

I'm sick of learning.  I'm sick of fortitude and strength.  I'm sick of wisdom and grace and getting by.
I want to swallow the sunlight.  I want to consume Hope for breakfast and shit rainbows of beauty and joy.

Instead:
Creases in my cheeks from the tears & tears.

Instead:
Holes in my heart that I stare into thinking, sinking.

I lead a double life.  There's this one here alone with Lu and the impossible one with Silas, too.
Both are true, both are me.

I will never let either of them go.

I am a Disaster in Disguise.
I am a Master of the Lies I have to tell to get through the day.
I'm so good at it now, I sometimes even almost fool myself into being a little bit okay.

~~~~~~~~~~~~

Can you describe an instant of recognition or insight that surprised you or caught you off-guard?  How many lives do you lead?  Do you ever feel okay?  And are you okay with feeling a little okay, sometimes?

marked

When we found out Lu was pregnant last January it was one of those rare moments where we knew beyond any doubt that our lives had just changed forever, and that the transformation would be an ongoing process for years, forever, really. We were right about impending change, but wrong about the true nature of what was to come.

Now, over a year later we aren't even back to where we started. I am not back to any place that feels anything like the life I used to have. Everything appears exactly the same and that sameness feels utterly wrong. I look the same, my life rolls on the same way as always and yet within I have been transformed.

It is as though I have been enlarged by grief, and I'm still learning how to carry all this extra soul-weight on body that was used to moving lightly through the world. I had no proof of this, though. No son to show around that says "Now I Am a Dad." That expansion was supposed to be Silas and parenting and a whole new, challenging and invigorating way of life. Instead, that expansive, beautiful life was turned inward and invisible, into a black and dense weight that lives at the center of my being. My tattoo is a physical expression of that pain and loss, and it is helping me.

Lately I have felt less angry about people not remembering or not knowing about Silas. I can't just bring him up, but yet at the same time I cannot go through every day distant and angry, waiting for someone to acknowledge my loss, to speak to me about him. Oh the seething rage or sadness sometimes can't be denied, no doubt, but I work hard to face forward and get through it. In the end, other people can't help me if I can't help myself.

My tattoo in honor of Silas is a way to do that.

Since the tattoo is in a very visible place I know people see it. I am certain that they are aware of the mark and I like that. It is sort of like I'm sneaking Silas into the conversation. He's accounted for, whether they realize it or not. I'm surprised, though at how many people have not asked me about my ink. I figured it would be something people mentioned, but now that I think about it, I can't recall a single time I've asked someone what their tattoo meant.

I guess I just figured if I asked someone about their tattoo that at the least it would be a banal response about alcohol and spring break, or at the worst, well, me I suppose. Our story. And who wants to hear that? So I guess it makes sense that people don't ask me what it means. I'm not even sure how I would respond. I suppose some would get the truth while others I would be more gentle.

"It is to honor someone very close to me that has passed away," is probably the simplest way to put it, but the lack of specificity reduces that sentence to near-garbage. But on the other hand, "it's for my son, who died the day he was born," is so brutal and awful I can see people's souls short out when the words hit their ears. Their gaping, moving mouths and wide eyes make them look like a fish drowning in air. Which, incidentally, is how I always feel anyway. Welcome to my world. Here, have a sip of this. Cheers. To Death, that creepy, invisible intruder that rots the couch and bends the bed springs.

This tattoo is a talisman against the decay of memory and the reductive friction of time.

In a way it's a booby-trap, too. It is there to be seen and wondered about, but god help you if you ask. You just may get the truth. We're dangerous like that these days. There are a lot of things you don't want to ask us when you first meet us. And I worry about that now, in a way I never have before. I always looked forward to new friends and fun parties but now those situations are rife with potential disaster. Kid conversations are out whether it's about your new one or if we have any. Complaining is not an option as idle chit-chat with me. Can't handle it, don't care, will walk away if you keep it up. Plans for the future? Oh yeah we have one, but we had one last year and look where we are now. So we can do movies or music or better yet we can just talk about you because you don't want to know me. But if you do, if you really think you want to be my friend, go ahead and ask about my tattoo and I will tell you everything.

The tree is based on designs of the Tree of Life because Silas means "of the trees." This tree is dark though. It is black and gray and it swirls with an alien strangeness that I thoroughly enjoy. And although this Tree of my Son's Life appears dark and dead, tiny yellow fruit adorn several of the branches. Their pattern reveals the constellation of Orion--Silas' middle name--which rises in the autumn and rides high in the sky through those cold winter nights.

Silas was born on September 25th, so we were looking forward to teaching him about his stars as his birthday rolled around every year. Now that distinctive pattern of stars mocks me as the shape of a man he will never become. All winter those stars were brighter than the sun to me. I could barely look at them without the endless chasm of grief cracking open at my feet. I hate them and love them and drown in their cold starshine whenever my eyes capture their interstellar glow.

There is a heart hidden in my tattoo. That is because Silas is my heart. And because he is hidden, too. Around the edge is a pattern, a border. It is an S repeated over and over like the way I say his name to myself over and over, all the time, but it is also an Eternity symbol that is broken to reveal how he is lost to us.

This tattoo represents a private part of my soul that I demand to have revealed. I require this mark as a feature of who I am because without it, without a conjuring of Silas, I am not complete. It is a channel for my sadness. It is a badge despite how fucked up that sounds to me sometimes. It is a symbol for his life because that's all we have. We don't have his life, so a symbol is used as a poor, paltry placeholder. It is memory insurance.

So far, no stranger has asked me what my tattoo means and I was surprised by that, but it makes sense now. Yet, in the last week three people have out of the blue stopped me and told me that my tattoo was beautiful. I thanked them and smiled and they continued on their way. Inside I whispered over and over that it is, but you should have known my son. This is nothing compared to him.

 

Do you want people to ask you about your lost child? Do you initiate conversation about him or her? How do you commemorate your child? Necklace? Ink? Photographs? What objects or images link you to your child?

This post is a part of The Body Shop at Glow in the Woods -- a month of themed reflections and memes that explore what we do in an effort to occupy these physical selves with grace after babyloss.