Youngest Kind of Pain

Since this is Valentine’s Day, I figured it would be appropriate to introduce a song I wrote about the most depressing date ever: the first one Terra and I went on after our first daughter, Roxy Jean, had died.

I honestly can’t even remember exactly what we did, except that we found ourselves walking along the same sycamore and maple-lined campus avenue where we’d first begun dating, some 16 years prior, as two gutter punks trying to find a way to get drunk outside of Spaceport Arcade (yes, we are that old). We’d fill our Styrofoam gas station cups up with such a strong ratio of vodka to red kool-aid (hey it was 1991, and we were broke) that we had to drink it quickly in order to keep the alcohol from disintegrating the cup from the inside out. We’d run wild through the night in a pack like wolves. Sometimes between the buildings, sometimes through the woods by the lake, and sometimes we’d lie around on the dirty floor of someone’s smoke-filled apartment, listening to The Misfits or The Violent Femmes. I smoked Winston cigarettes. She never did.

But I digress. This song is not exactly about those days.

It’s about the night that we walked like ghosts through a past that seemed to belong to other people now. We didn’t want to drink vodka out of Styrofoam cups while running through the night air looking for adventure. We wanted something stronger. We wanted to go home. It was too quiet without our 4-year-old son to distract us and especially without out the baby we should have been losing sleep caring for. We just walked, and the silence surrounded us. We were paralyzed by our shared pain and we did not want to be alone with it.

Oh my God, Oh my God, this is the place we used to walk
When the darkness had yet to leave it's darkest kind of mark
And we were strange
We were borderline deranged
And you had eyes that held the water like saucers full of rain

Through the lotus went the light and I saw something new revealed
I saw the scars from the fight
I saw the wounds that never heal
So strike the stage, I guess nothing can remain
All this running, fucking running, and we're no farther from this place
We're in the youngest kind of pain

We save the softest words for strangers
Because we don't know how to say it
And we don't know what the name is
No baby sleeping in the manger

And there's no one here to save us
There's no one here to save us
There's no one here to save us 

What was your first date like after the loss of your baby? What was it like to try to be romantic? 

Homecoming

Once I had a fictional house that had many perfect rooms

Each perfect room required endless planning

A perfect chair, just so, lights there, great stairs, exquisite family heirlooms

A vague-faced perfect man gazing, loving, looking at me standing 

Perfect grown-up gorgeous glamorous

Silhouetted against the perfect glow from the perfect light on my perfect landing

Children with perfectly old-fashioned names like Neville or Agnes

Playing sweetly with their perfect toys

In perfect sun-kissed, nursery-coloured brightness

This was a time before the rabbithole joys

Of perfect Pinterest fictions

Click-easy dreams, inner lives turned inside out to silent noise

Before I built a comforting construction

A perfect place for my dead girl to live, a home

In data, pixels, type, strangers’ attention

That was removed from imperfect flesh and bone

Something and nothing, just like her, where I was not alone

What has the internet meant to you since the death of your baby or babies? What would you have done without it?

Scars of the Heart

Take my heart out and you will see the scar.  From top to bottom, jagged across the middle, the scar is still raw and pink.

But against all odds, my heart is nearly whole.  Lu and I took the time to stitch the other's back together with words and love and patience and time.

Pass by pass, stitch by stitch she sealed and healed my rendered soul, my tattered heart, and helped me learn how to walk and speak and think again.

I thought I was going to die in the days after he did.  I thought we would be demolished by the unfathomable grief and lacerating sadness.

Yet somehow, now, eight years out from the day I married Lu, I can somehow still think that I am lucky to have her in my life.  Lucky that we have our amazing son Zephyr.  Lucky that we found a way to rediscover laughter, to allow light to re-enter our darkened world.  We are lucky to be together despite our terrible loss.

I married her because she was beautiful and sweet, patient and spontaneous, because she was steadfast, honest, brilliant and true.  What I didn't know then is that she was one of the strongest and most determined people I would ever know.  Her strength of will and incredible outlook on life were absolutely pivotal in our ability to stay together and stay in love when everything around us shattered and disintegrated on the day he died.

She healed my heart with her gorgeous, liquid eyes, and I held her tight through terrible days when not one single thing in the world made a speck of sense.

But the scar remains and always will, and if you look closely enough you will see that it is only nearly whole.  There is still and always a space, a void, an endless abyss in the shape of my son Silas.  It looks minuscule from a distance, but don't be fooled.

That fleck of darkness on the surface of my pulsing heart expands wider and wider the closer you get until the obsidian midnight rift is all-encompassing, swallowing the field of vision until we pass within, into the endless shadow of my limitless grief.

I don't want that hole closed.

I don't want to give away the pain of his absence.

I don't want to ever be so healed that I cannot feel him in me, in us, in our sense of the world.

When Silas died I had no idea what it was like to have a son.  I was hurled into a shadow world of counter-factuals, of impossible ignorance.  I thought Silas was going to teach me how to be a dad, but instead I learned how to grieve and not die from it.  With Zephyr so vivid and alive right before my very eyes, everything I was denied is being revealed, but the weight of losing Silas makes me ballistic with fear sometimes.  I panic at the slightest thought of anything happening to Zephyr, ever, for any reason at all.  Yet just as I refused to let grief define and destroy me, so too do I deny the power of fear to stop me from reveling in Zeph's every breath.

Lu is an amazing mom, and I am thrilled to share this life with her.  I cannot believe to this day that I can feel this good, after so many years of terrible sadness.  The strangest part, though, is how that still-present sadness mixes with the happiness I feel when I spend the day with Zeph, or watch him curled up and nursing in Lu's lap, or hearing him shouting "Dada!" when I get home from work.

The echo of his shout is the silence from Silas and the  knowing look in Lu's eyes.  She hears what I don't either.

I love them all fiercely, the two here with me, and the one we can only share in our sewn-up and scarred hearts.  This is our family and it will always be so: drenched in light and love and happiness and shadowed by our loss that we can never fully comprehend.

~~~~~~~~~~~

What do your metaphysical scars look and feel like?  How have you and your partner navigated the treacherous landscape of your life together after losing your child or children?  How do your living children affect the memory of what you have lost?

a hard talk

It is my distinct honor to  welcome our newest regular contributor Brianna from  Daily Amos.  In 2010, her first son George was diagnosed with heart failure caused by supraventricular tachycardia at 24 weeks gestation. Over the next four weeks, the doctors tried to slow his heart rate down with medication. After stopping treatment, Brianna developed Mirror Syndrome and had to have an emergency c-section. George died shortly after birth. Brianna brings her wisdom and sharp insights to Glow in the Woods. We are grateful to have her. --Angie

When I was a kid one of my favorite books was Maurice Sendak’s Where the Wild Things Are.  I often imagined myself as Max (and what child who has ever read that book has not done that same exact thing) throwing off the shackles of parental subjugation and escaping to a place where I was beholden only to myself.  To this day I still love that book and get a thrill every time my nearly eighteen-month-old daughter asks me to read it to her and yells, “Max!” as we flip through the pages.  There is something pure and honest in the way Sendak writes about childhood that is completely unique to him, which is probably why his books are beloved by so many people.  Maurice Sendak died last year at age eighty-three having written and/or illustrated hundreds of pieces.  Given the subject matter of what he wrote about I was surprised to discover that he never had any particular fondness for childhood and was more than a little preoccupied with his own death.

During one interview Sendak explains what he believes to be at the root of his morbid obsession.  He tells a story of being a small child, about the age of four, and seeing on the front page of a newspaper a photograph of the remains of “The Lindbergh Baby,” the twenty-month-old child of the famous Charles and Anne Lindbergh who was killed during a kidnapping for ransom attempt.  Sendak goes on to recount how profoundly the image terrified him and that his parents never really adequately addressed his distress.  His parents, in fact, denied that such a photograph existed and insisted that little Maurice must have fabricated the entire thing.  It wasn’t until many years later, long after Sendak’s obsession with the Lindbergh baby had matured and developed into the fixation he had about his own death, did he actually get confirmation that the photograph he claimed to see on the newspaper did actually exist.

I don't know why his parents chose to ignore their son’s obvious difficulty processing what he saw.  Maybe they really believed their four-year-old son had lied about the photograph.  Perhaps they thought convincing him that the entire incident never happened was the best course of action.  I assume they were doing what most decent parents do when faced with uncomfortable situations like these; the best they can.  But whatever the reason behind their decision, the result, at least in Maurice Sendak's mind, was that the little boy grew up to be fixated on his own death.

Watching Sendak recount what a traumatic experience he had with his first encounter with death made me think about the first time I learned about the concept myself.  It was when one of our cats died and I must have been six at the time, maybe seven.  She was a tortoiseshell beauty we called Puzzles, name owed to the interlocking swatches of orange and black fur on her back.  She had been sick and my parents sent us down the street to play at a neighbor’s house while they took her to the vet.  At the time I was not aware that they were taking her there to be euthanized.  I assumed they were taking her to the doctor’s office to get medicine in the same way they did when my sister or I was sick.  They returned later that afternoon, driving on our street past where we were playing outside.  I knew something was wrong when I saw my dad in the passenger seat and that my mother was driving, an unlikely sight in our family.  My sister, four years my senior, must have also known something was wrong as I don’t remember her saying anything to me the entire walk back to the house.  When we arrived we found my dad, with a grim look on his face, along side my mother, waiting for us at the front door.  “Puzzles was too sick to get better,” they told us, and that they “had to help her so that she would no longer be in pain.”  They explained that they had her put to sleep, that she was not going to wake up, and what exactly all that meant.  There might have been talk about heaven and what happens after death but I honestly don’t remember what was said mainly because I don’t think that part of conversation was as jarring as the idea of actual death. 

They brought Puzzle’s body back from the vet’s office so that we could say goodbye by having a funeral for her.  I realized that was why my father had been sitting as a passenger instead of his usual place in the captain’s seat: he had been holding on his lap the body of our much-loved cat, wrapped in plastic and placed in a cardboard box.  Later that day my dad dug a hole in the corner of the backyard under a tree where we said our goodbyes.  It was about as gentle an introductory experience as a child can have to death.  I don’t look back on that memory with any fear or resentment but rather with an appreciation to my parents for making the hard choice to talk to us frankly about such a difficult subject.

In an ideal world the introduction I had to the concept of mortality and death is the one a child should get about such a profound subject.  The introduction should not happen by being faced with a black and white photo of a stranger’s murdered child, or by the death of a sibling, or by watching mama come home from the hospital without baby brother or sister… Sadly though we don’t live in an ideal world.   We live in a crazy, often beautiful but just as often fucked-up, world.   Sometimes children do get murdered and sometimes babies do die.  Some of us do not get to decide when and how our children learn about death…for some of us circumstance chooses for us.

Since George died Leif and I have had frequent conversations about how and when we are going to tell his sister about him and why he died.  I guess in a way we are the luckier ones in the spectrum of unlucky baby loss. He was our first child and so we have the luxury of deciding when our daughter learns that she had a brother. Still I can imagine that no matter how or when we do it I will always wonder if we irrevocably damaged in some way her impressionable young mind.  When she is fifteen and painting her nails black, listening to her generation’s equivalent of The Smiths, I’ll be certain that it is a result of my failure as her mother to adequately address her brother’s death.   When she expresses any hint of anxiety while being pregnant with my grandchild, I will have no doubt that it is because she is convinced that her baby is going to die just like her mother’s did.   I don’t think it is possible to escape those kinds of doubts or, if there is, I’m still trying to figure out a way to it.

The truth is that I am not afraid of telling her about death and mortality, per se.  What does frighten me about explaining to her that her older brother died is the part where I have to expose her to ideas like sometimes bad things happen to good people and that there are not always good reasons for why terrible things happen in life.  I worry about having to explain to her at some point that occasionally even our best efforts are not rewarded with happy endings.  I don’t know how or when as a parent you tell your child these things as it seems to me it must at least partially steal away some innocence, and there is such precious little time they get to keep that as it is.   What I do know for certain is that I will tell her about her brother George and that he died even though we wanted him so badly to stay.  I will do my best to give her honest answers when she asks questions about him, as I know that she inevitably will.  I will make sure she knows that no matter how scary this world is that I love her and her brother so very, very much.  Maybe that is all she needs and the rest will work itself out.  

What are your thoughts on discussing the topic of death with children?  Have you had to explain the death of your baby to his or her sibling?  How did you do it?   If you haven’t yet had to address the topic, how will you or how would you do it?  Or maybe you won’t address it.  Tell me why.  What do you wish your parents had told you about death?

a midwinter's night dream

I brush my daughter’ hair off her forehead. We reflect on our day, say some prayers of gratitude to the universe, ask to stay in our bed all night, pray for good dreams. "Mama, I prayed to have a dream of rainbow and unicorns last night, but I dreamed of poopy."

I search her face for cheekiness, but there is none. She is quite earnest. She really did dream of poo. She says she wants to dream of special places, and other people, maybe even people who died.

"Dreams thin the walls between the living and the dead, my love, and even though you cannot pray for a dream and expect it every time, you can ask someone who died to visit you in a dream."

"Like Lucy?"

"Yes, like Lucy."

"I had a dream of Lucy before."

"Did you?"

"Yes, I was playing in the kitchen, and under the stepstool I found twelve ladybugs. The lady bugs came together and formed a girl. She looked just like you with black hair and brown eyes and brown skin. She said to me, 'I won't go back to where I was. Not ever again. I will stay here forever and ever. I can sleep with you if you are scared.'"

"Wow, Beezus, that is amazing. What was she wearing?"

"A red dress with white spots, and she had two little pony tails."

"Like a lady bug."

"I guess so. She was very happy skipping around. She told me and Thomas to get Rodys, and we bounced all around the house while you did dishes."

"I remember that day, Beatrice, because I saw you and your brother bouncing and imagined Lulu bouncing with you too."

"She was there."

"You can play with your sister in your dream. That's amazing. I wish I could play with her in my dreams."

"Just pray for ladybugs, Mama."

+++

I dreamt of Lucia only once. It was before her death. It was the only time I held her alive, and she was just barely alive. Her purple eyes blinked open and I smiled at her. Now, I believe it more a premonition of her death, then a premonition of her life. But naiveté and stupid arrogance couldn’t grasp the idea that the baby in my belly could die. In these four years, I have never felt jealousy of other pregnancies, or living children, or the earth people who never grieve their poor dead babies, but I am jealous of those who dream of their dead as though they live. Even my daughter, (I must whisper now, because I am ashamed of myself) I am jealous that she gets to dream of my baby, even as I want that for her. For everyone. I just want it for me too. A clear portal to our babies that we can access whenever we want.

photo by Douglas Brown.

All my prayers and pleadings have not yielded one dream of her. I carry dreaming crystals to bed, place them on my third eye. I drink teas of mugwort and lavender, write my wishes and put them in the pillow, but still nothing. Though I have not dreamt of Lucy since she died, I have winter solstice. I wake in the middle of the longest night, and look at the sky—a dream-like ritual of bitter cold and release. I watch for ravens and northern lights, cover myself in snow and a woolen cocoon that reminds me of the womb that killed her. I keep releasing the anger and guilt around her death, though I will never really release her. All of this, I think, is like inducing a dream of my dead daughter. Perhaps it is a lucid mid-winter's dream of fire and night and blurry meditations, calling to the ravens to bring her soul to me. It transcends solstice and continues through January, February, March...I commune with Winter herself. Winter belongs to my girl, even if she never comes to that particular cocktail party.

It may be presumptuous to take a whole season for my daughter. Though selfishly, I want more. I want the year. Or at least, just the night. I want one dream with my beautiful dead baby of the snow. I deserve it, or maybe not, but I want something more. Not this vast tundra of nothingness, dreams of wastelands, and empty arms, and ravens who tear at the skin of grief, but never carry my daughter with them.

Have you had dreams of your child or children since their death? Before their death? What was the dream? Was it comforting or disconcerting? Have your children, or other people, dreamt of your baby or babies? How did you explain it to them? How did you feel about it?