Community Voices: Grief is...

Today we are honored to present the writing of two more Glow readers.

Anne is a dancer, teacher, writer and non-profit arts administrator. Anne and her wife Burning Eye's first child Joseph was stillborn at 35 weeks in December, 2012. Some of her poetry is being published in the upcoming anthology "To Linger on Hot Coals" edited by Stephanie Page Cole and Catherine Bayly.

35/35

My poet’s brain never had much use for numbers and formulas—

preferring the symbolism, the metaphor,

of mass, gravity, planetary orbits, chemistry, heredity,

the tiny organs in that poor frog.

But now, in the aftermath of your short life,

I turn to science for solace, trying to find sense and reason,

or make it. 

I write poems about logic, Newton’s laws, math—

the equation never adds up. 

Still, I can’t stop measuring, comparing, weighing—

searching for meaning among misremembered facts,

proving your life with whatever symbols I can find.

Today, the days of your life rest delicately on one side of the scale,

balanced perfectly by the days of your absence. 

Tomorrow, the scale will start to tilt,

listing as the days keep piling up. 

You will always be more gone than here from now on, forever.

But maybe that perfectly balanced scale is an illusion,

an incomplete equation.

Surely, the scale tipped toward loss long ago—

as heavy as these days have been.

Or maybe your realness, the weight of you in our hearts,

still outweighs the loss of you—

the nothing that can never balance your substance.

This next piece is by Carolyn. Carolyn blogs at hangyourhopesfromtrees.wordpress.com. She writes: Lost my first baby to a miscarriage at 17 weeks. I find solace, as I've always done, in writing, art, and thick, wordy books. Finding hope, now, but still burdened often by my loss.

I dig my toes into the rocky incline. Looking down, I can see clouds hovering underneath me. I am high enough that the place where I began isn’t visible, grey and swirling storm. Up here, as I pull myself further, the sun shines upon my shoulders. The sky is a brilliant blue, hopeful, vibrant. I keep climbing, distancing myself from the stormy ground. I don’t know what the plateau above looks like, but I long for flat ground and stable footing. I reach up and grasp at a root emerging from the rock.

It snaps.

Suddenly, I am scrambling, rocks and dirt begin to funnel down around me, I slide, scraping my skin, dust grinding into my wounds. I am falling, slipping down this slope, wind howls in my ears and I plummet below the cloud cover, into the cold, torrential rain 

I came home from work today on shaky legs. I had a sense of panic. I was on edge. Everything seemed too bright, too real, too harsh. My eyes couldn’t adjust. I squirmed uncomfortably, I felt restless.

I caved. And I cried. 

It’s been months since I’ve broken like this. I can hardly recall the last time I sobbed under the weight of the world. I buckled in the grass, hot tears on my face. I pressed my head to the earth and wept.

I clutched at my firefly necklace and I begged God not to take anything more from me.

I composed myself, wandered inside and climbed into my bed.

I slept, shutting out my mind, retreating into a world of quiet.

I find myself halfway down that steep incline, wedged into the rock, covered in blood and gravel. I manage to crawl up onto my knees, rocks and grit piercing my wounded skin. My head reels, my vision weaves, distorted. I breathe deeply as the pouring rain pounds my soul. I breathe in this storm until my mind clears, my heart slows, I regain balance. I pull myself up to my feet, digging my hands into the dirt above. Slivers of blue sky are revealed to me, far above this tempest.

I reach up and begin the climb again.

These are the last two Community Voices posts for this round. We want to know what's on your mind, readers. We want to hear your voices. What questions are you asking yourself in the wake of your loss(es)? What questions are you asking of others?

The Chill

I love this time of year, right up until the moment
when I feel the chill in the summer eve.

The back of my arms legs neck, the slight scent of decay.

We're bright and beautiful in the summer sun
and then nightfall
and night breeze
and the darkness spreads around me.

We fucked up last year.  We didn't prepare.
Too consumed by the stunning child in our haunted lives
the rage and sadness and death and madness
snuck up, as only memories can do.

Five years without Silas.
A blazing son on his way to his amazing birthday
that instead is merely anniversary.

That first chill of late summer orients my soul.
Distracted by the wild life and breathing love
I suddenly feel exactly like the night we collected the birthing tub.
The indigo evening, the creaking crickets, the harbingers of doom;
they are now his silent calls made mine, made into
the broken sounds of hope stilled, that future killed.

I love this time of year,
but I cannot breathe in the gorgeous evening summer breeze
as my love for Silas falls from my wet, silent eyes,
and I die a little more inside, again,
wanting him quietly, deeply, desperately as dusk settles.
Waiting for his breath I sit still,
chilled to my bones in the sweet summer eve.

~~~~~

Please post a poem or prose rant to your lost child.  My son would have been five years old on Sept. 25, and instead I just get Fall.  What do you get?  What have you found?  What can any of us do about being part of this tribe?

This time, again

Those five weeks between when we found out he was sick and when he died exist outside of time.  They accordion out behind me as one infinitely long moment and then compress back to simply Before George and After George, the contents reduced to the width of a single piece of paper.  I alternate between being surrounded by memories, smells, tastes which bring me back to those weeks and real disbelief that The Horrible Thing actually happened at all.  

The more time that passes the more I seem to have difficulty grasping the core of what his death has really meant.  I tell myself that I can't regret what happened in the past because my present is filled with love for my daughter, who in a very honest sense only exists because her brother doesn't.  I fortify myself against the reality of his death rationalization by rationalization.   I am a master at trying to soften the edges of his death.

Then March comes around the corner, always unexpectedly, to knock the breath out of me.  The ether of emotions that normally fog my brain crystalize and it is all suddenly so simple again.  I gave birth to a baby in the cold sterility of a surgical suite.  I held his small sick and dying body, kissed his head, whispering to him I loved him and that I wished he could stay.  Then I simply waited for his tired heart to stop its battle to keep beating.  In March I can distill all the regrets and justifications and apologetics that I conjure up during the other eleven months of the year into a simple elixer of love and heartbreak.  

I am a mother to two children.  One who lives and thrives: a marvel in front of my eyes.  The other dead and gone: a shadow in the periphery of my vision.  But for a few weeks in March, when the world around me is waking up from its wintry slumber, that shadow feels a bit more substantive.  Almost as if I can reach out and hold him again, kiss his head, whisper him I love him, and that I wish he could have stayed.  

 

Do you rationalize the death of your baby to ease your pain?  When the anniversary of the death of your child approaches does it change your perspective on the past or make you feel closer to the one you lost?  How do you feel (or think you will feel) about milestones or anniversaries?  Are they intensely personal events or do you feel the need to share those important dates with people in your life?

Scars of the Heart

Take my heart out and you will see the scar.  From top to bottom, jagged across the middle, the scar is still raw and pink.

But against all odds, my heart is nearly whole.  Lu and I took the time to stitch the other's back together with words and love and patience and time.

Pass by pass, stitch by stitch she sealed and healed my rendered soul, my tattered heart, and helped me learn how to walk and speak and think again.

I thought I was going to die in the days after he did.  I thought we would be demolished by the unfathomable grief and lacerating sadness.

Yet somehow, now, eight years out from the day I married Lu, I can somehow still think that I am lucky to have her in my life.  Lucky that we have our amazing son Zephyr.  Lucky that we found a way to rediscover laughter, to allow light to re-enter our darkened world.  We are lucky to be together despite our terrible loss.

I married her because she was beautiful and sweet, patient and spontaneous, because she was steadfast, honest, brilliant and true.  What I didn't know then is that she was one of the strongest and most determined people I would ever know.  Her strength of will and incredible outlook on life were absolutely pivotal in our ability to stay together and stay in love when everything around us shattered and disintegrated on the day he died.

She healed my heart with her gorgeous, liquid eyes, and I held her tight through terrible days when not one single thing in the world made a speck of sense.

But the scar remains and always will, and if you look closely enough you will see that it is only nearly whole.  There is still and always a space, a void, an endless abyss in the shape of my son Silas.  It looks minuscule from a distance, but don't be fooled.

That fleck of darkness on the surface of my pulsing heart expands wider and wider the closer you get until the obsidian midnight rift is all-encompassing, swallowing the field of vision until we pass within, into the endless shadow of my limitless grief.

I don't want that hole closed.

I don't want to give away the pain of his absence.

I don't want to ever be so healed that I cannot feel him in me, in us, in our sense of the world.

When Silas died I had no idea what it was like to have a son.  I was hurled into a shadow world of counter-factuals, of impossible ignorance.  I thought Silas was going to teach me how to be a dad, but instead I learned how to grieve and not die from it.  With Zephyr so vivid and alive right before my very eyes, everything I was denied is being revealed, but the weight of losing Silas makes me ballistic with fear sometimes.  I panic at the slightest thought of anything happening to Zephyr, ever, for any reason at all.  Yet just as I refused to let grief define and destroy me, so too do I deny the power of fear to stop me from reveling in Zeph's every breath.

Lu is an amazing mom, and I am thrilled to share this life with her.  I cannot believe to this day that I can feel this good, after so many years of terrible sadness.  The strangest part, though, is how that still-present sadness mixes with the happiness I feel when I spend the day with Zeph, or watch him curled up and nursing in Lu's lap, or hearing him shouting "Dada!" when I get home from work.

The echo of his shout is the silence from Silas and the  knowing look in Lu's eyes.  She hears what I don't either.

I love them all fiercely, the two here with me, and the one we can only share in our sewn-up and scarred hearts.  This is our family and it will always be so: drenched in light and love and happiness and shadowed by our loss that we can never fully comprehend.

~~~~~~~~~~~

What do your metaphysical scars look and feel like?  How have you and your partner navigated the treacherous landscape of your life together after losing your child or children?  How do your living children affect the memory of what you have lost?

pomegranate

I open my mouth. The scream escapes. It is a primal, ancient scream. The Banshee wail that precedes death and mourning. It has been building inside of me through all of my tragedies, humiliations, fears. But the death of my daughters propel it forward, out of me. It is also the scream of Demeter. It comes from deep inside of all women. The goddess roars through me. It is hardly a noise one knows before a child dies, it is something entirely different. A different cry, an animal sound, a wild rage that tears through normal ears. It is the hurricane. The volcano. The typhoon. It is in the Ancient Greeks, the Druids, the Celtic gods, the old Norse and Inuit tales where I find my story into the underworld. We babylost are no longer of this era and we should stop trying to be. We come from the distant past. The grief goddesses inhabit us to retell their stories. We channel their woe, their anger, their cries. We are transported to a place halfway between heaven and hell, the blessed and the cursed, the living and the dead.

+++

I can only really muster worship to the goddesses of grief--Demeter and Hecate, the Norse goddess Frigga, the Aztec goddess Coatlicue. There is a distinguished lineage of goddess grieving. She rarely behaves well. I learn the lessons of grief from mythology. I starve the world. I punish others. But the earth people will be restored. It is me who withers again when Summer leaves, every year, when I am reminded of my daughter's death. It is me who curses the most human parts of myself.

The chill moves through me. I nod to Autumn, bow to her, make elaborate arm gestures to welcome her through my life again. Autumn equinox marks Persephone's descent--her return to Hades, the god who abducted her all those millennia ago, raped her, held her captive in the underworld, fed her pomegranate to seal her fate. Her mother Demeter, the goddess of the harvest, begins her long walk around the world weeping, mourning, taking the life from the crops. Autumn equinox marks my descent too. I walk into my grief season, seizing the harvest, choking the life from everything around me, falling into a deep darkness. It is a welcome turn, when the earth and sky match my insides. It is my slow trudge until my daughter's death day on Winter Solstice.

This veil is thin now in October. Do not underestimate its power. The ancestors step just out of view, like through a gauzy film, whispering: Be better than you think possible.

I shake my head and rub mud into my skin. I light bonfires and bring them forward. "Oh, no, I mourn now, grandmothers. I am my shadow and myself. Two people mourning. Weep with me. Share half a tear, half a cry with your half-daughter."

On the first year, when the earth opened and swallowed Persephone, Demeter walked the earth for nine days searching for her daughter. She ate nothing. She drank no ambrosia. She refused to bathe. She just hunted her only daughter, desperate and possessed with the finding. There are rumors that Persephone screamed before she was taken. Hecate heard it, in fact. And they ask Helios, the sun god, who tells them it is Hades who stole the virgin, raped her. When she was told what happened, she enlists the help of her friends Famine and Petulance to punish the humans until she can see her daughter once more. They are the withered old hags of goddesses, but powerful nonetheless. They delight in cauldrons of poison and starvation and cackle to themselves. And Demeter, a compassionate goddess, felt justified in her actions.

Persephone is allowed to return home only if she has eaten nothing. But she could not resist the allure of the blood red pomegranate, sexy and furtive. The juice drips down her chin, and Hades licks it off her, sealing her fate to return for six months every year.

photo by zenobia_joy.

I find myself jealous of Demeter, seeing her daughter for six months, exacting her grief in such a global way.  And the jealousy reads like a sweet nectar of what could be. I drink in the hope. Lucia ate pomegranate in my womb. Or rather, I did. I pulled the seeds from the membranes one by one until my hands were sticky and stained. I didn't know better. The seeds shone like garnets in my hand. And I, gluttonous and greedy, ate more of the underworld. I couldn't stop at six. I ate the entire fruit and then more. I ate resentment and anger, grudges and hurt egos, swallowed them whole. They were still alive and writhing when they hit my stomach, inches from where Lucia slept.

When she died, I walked this liminal land, the space between the dead and the living. The land running alongside the river Styx. I barely heed the warnings of those who came before me:

Do not pay the ferryman if you see him. Do not approach him. But wave across to the others, vacant and plodding through the dark. Ask for your child. Wail, if you must, the shriek of Demeter will be recognized here. But do not get on the boat. And for the love of everything holy, do not eat any pomegranate seeds yourself any longer. They mean something different now, love. Even though they taste like Lucia. They mean something different.

I have existed in liminal spaces for a long time. The borderlands are my patria. My homeland. I am half white and half-Latina. Half-American and Half-Panamanian. I am half a believer, half a skeptic. I am half straight and have AB positive blood. The creatures drawn to me wear horns, and tall boots with twenty-seven buckles, and white make-up, wooly vests and listen to songs about vampires, but work in a corporate office during the day. I live in a suburb, a small town that feels like mid-town. Halfway between city and country. We have a farmer's market and tattooed vendors who smile at your bike trailer and say, "Right on."

After the first snow without her, I became half a mother. Half a breeder. Half of my children are dead. I have half a song. It is about winter, and the triple goddess, and pomegranate seeds which I suck just enough to be allowed visitation rights. She is gone and my summer never comes. Just space and time until I grieve again.

It is half a myth without an ending.

Do you feel between worlds? Which ones? Do you feel close to certain myths or stories now? Has that changed since the death of your baby(ies)?